A Diverse Majority: Hollywood And Politics

Like many people, I got up early on election day.  I waited in line to cast my ballot for a most historic election.  By the end of the night, I was tired but elated and moved by the events that had unfolded before my eyes.  

A few days ago, I called my grandmother to get her take on the election.  She'd voted for McCain, but in the same breath, she explained that she didn't feel as confident about her McCain vote.  Still a conservative, she didn't think McCain wanted it as badly.  Still a conservative, she acknowledged that one has to be a little bit liberal to get things done.

My grandmother was born two years before women were given the right to vote.  She grew up in a world where a womans' future was in the home.  She grew up in a world where African-Americans were maids or drivers and minstrel shows were as common as vaudeville.  She spent time in Alabama where they had an African-American maid that pressed and starched my grandfather's dress shirts for a paltry 25 cents.  When my grandparents moved back to Nebraska, my grandmother asked the woman to join them up North.  She responded that she couldn't.  She'd said that they're prejudice in the South and just as prejudice in the North, but they hide it." She'd rather live in the South than in a place where [she felt] people tried to hide their feelings toward her and her race. 

This was a year of change--not only in politics but in Hollywood.  The real America has begun to emerge.  This is no longer a country of a white majority, but a patchwork quilt of the fair-skinned, the dark-skinned, Native Americans, Latinos, Chinese, Gay and Lesbians, and a list of people too diverse to mention here.  They are no longer "minorities."  

Together, we are all a diverse majority.  

With success of shows such as Ugly Betty, The George Lopez Show, Grey's Anatomy, and others, Hollywood casting sought out diversity.  More and more, it's no longer about casting the "token" African-American or Asian.  Characters are cast in diverse ways because that's what the make-up of our reality in America has become.  There are more female writers--four of whom were nominated in screenwriting categories at last year's Academy Awards (Sarah Polley, Tamara Jenkins, Diablo Cody, and Nancy Oliver)

The white men who have traditionally written the stories for Hollywood now have to rewrite their own futures.  The white men who have traditionally made the rules in government have to make room for others who have a voice, too.  The seas of change are not to be feared, but embraced, for we all become better because of it.  

Hollywood and Politics have just begun to realize what those who have been paying attention have known all along.  Diversity is not a threat or a detriment to our lifestyle as a people, but something to uphold--something that sets the United States of America apart from many other nations around the world.  We are people living in an increasingly global world.

Photo by racole/flickr

(c) Copyright 2008 KLiedle

  

Diversity Adds Texture To TV & Film

Also see published article here

The minority report of entertainment today is starting to look up. With success from shows such as Ugly Betty and Grey’s Anatomy, it finally appears that diversity’s gone, well, almost mainstream.

This year, UCLA did a study titled, “Hollywood’s Race/Ethnicity and Gender-Based Casting: Prospects For A Title VII Lawsuit” that studied casting breakdowns posted on Breakdown Services, the entertainment industry’s primary source for casting, for a period of three months last year.

According to the study, as reported in Backstage.com back in January, most (94%) of breakdowns specified gender. Nearly 50% of roles did not specify race, but the role was understood to be for a Caucasian. The study, according to Backstage.com, claimed that the “total percentage of roles reserved for white actors” was nearly 69%, forcing minority actors to collectively compete for the roughly 8.5% of roles open to all ethnicities.

Those statistics make life as a minority actor look horrendously dire, as if life as an actor isn’t already dire enough. However, casting directors have found the study, done by Russell Robinson, professor of law at UCLA, to be frustrating. With stacks and stacks of headshots piling up within days of a breakdown posting and hundreds of photos to scroll through on electronic submissions, a casting director’s job is never easy.

Gender, age, race/ethnicity, and a host of other attributes are the many ways that casting directors attempt to narrow down their choices. Most of the time, casting directors only have so much power over the ethnicity of a certain role. Specifics of a role’s ethnicity can be outlined by the screenwriter of the project, the producer, the director, or anyone else in between. If you’re talking commercials, it gets even more complicated because you also have the added bureaucracy of an advertising agency and their clients, who also have a say in, not only who gets cast, but what their ethnicity is, if that indeed is even a factor. (For advertising, a lot of times it depends on the demographic they are trying to reach.)

When people in control make ethnic diversity a priority, minority actors have a greater opportunities. ABC hosts a minority showcase every year with the goal of padding their casting files full of ethnically diverse actors for consideration for roles in the upcoming year. Other networks have followed suit.

It also doesn’t hurt to have people in charge like Shonda Rhimes, creator and executive producer of Grey’s Anatomy. Even the Grey’s promotional tagline implies racial and ethnic diversity as well as plotlines: "Medicine nor relationships can be defined in black and white. Real life only comes in shades of grey"

Salma Hayek has used her clout as a well-known Latina actress to get things done in the past, such as her pet project, Frida. Lately, however, it’s been all about her success with helping to bring a widely successful Columbian telenovela, Yo Soy Betty, La Fea, to American audiences in the form of the now widely successful, Ugly Betty.

Diversity also extends to feature films. Even producers such as Ken Atchity of Atchity Entertainment International (AEI), most known for producing such films as and Joe SomebodyLife Or Something Like It is teaming up with Spanish Harlem Entertainment (SHE)/ Magic Dragon/Spark Digital Media to produce a series of multicultural, urban American films featuring a cast of characters that represent African-Americans, Hispanics, Asians, and Caucasians.

We’re not talking one feature film; we’re talking a series of feature films. Collectively, they aim to crossover into the Hispanic market as well as the mainstream. The team’s first venture will be the feature, Hitting The Bricks, featuring Rapper Reem Raw as well as Actor-DJ Doctor Dre. The gritty, urban film follows a young, Hispanic man, Fuego, who has dreams of becoming a rap music sensation. (Chi-Li Wong and Mark K. Sullivan are also producers with Atchity on the project.)

As more producers in both film and television discover the benefits of appealing to mass minority markets (in other words, the dollars that can be made) more and more roles will be extended to actors of minority descent. America’s been changing for awhile, and entertainment’s always a step or so behind, but they’re starting to catch up.

And the era of prominently Caucasian leading roles and principal roles is going the way of Wonder Bread. However, just like with bread, complexity, texture, and diversity is good for us-- and for the entertainment we watch. Of course, it’s all good for minority actors. And that’s certainly not a bad thing.

*Photo credit: The cast of Ugly Betty
~ Copyright ABC/Ugly Betty